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Tuesday, December 6, 2011

My Househusband, Ikaw Na!

My House Husband is an Official Entry of OctoArts films to the MMFF 2011 starring the sweet coulple Judy Ann Santos-Agoncillo and Ryan Agoncillo. Directed by: Joey Reyes, opens December 25, 2011.

Nothing prepared ROD (Ryan Agoncillo) and MIA ALVAREZ (Judy Ann Santos) for the major changes that took place in their lives. ROD worked as a manager of a bank while MIA opted to remain a housewife taking care of their two children — MIGO and KAYE — with an occasional sideline of selling insurance. MIA gave up her promising career in sales because ROD wanted to be the padre de familia. For ROD, it was the role of the man to provide for his wife and children … in the same manner that there was a clear cut delineation as to what are the duties of a husband from that of the wife.

But when a larger bank merged with ROD’s employer, he found himself out of work. Overqualified in a scarce job market, ROD’s pride forbade him to reveal the truth immediately to his wife. Eventually, when he could not find employment, he had to agree to take care of the house and the two kids most especially after their trusted housekeeper had to leave for an emergency vacation.

In the process, ROD learns to do the housework — as he begins to adjust to a life of domestication which he thought was unthinkable for a man like him to find interest. And as he learned the ropes in running a household, MIA’s career in selling insurance begins to blossom. MIA was surprised to find out that all the unfulfilled potential she had in her suddenly emerged for the appreciation of her bosses in the insurance company.

Trapped at home, ROD befriends their next door neighbor named AIDA (Eugene Domingo) who everybody knows is a kept woman of a rich man who would occasionally visit her and her son to spend the night. Despite the scathing opinions hurled against AIDA, ROD discovered a completely different woman — over and above all the moral charges set against her. She was simply looking for someone who could take care of her, provide her and her son a good sense of the future. More so, she was led to believe that all women were meant to be cared for by men … and, in return, the woman sacrifices everything for that sense of belonging.

Slowly AIDA teaches ROD that there is nobility in being the caregiver of the family as well as the manager of the household. ROD, in turn, slowly opens the eyes of AIDA that she cannot depend on anybody except herself to fend for survival. AIDA was not too bright to realize that her material comforts were all too temporary because her benefactor could not provide her with a good future. As ROD and AIDA’s friendship intensifies, MIA felt all the more suspicious about their neighbor’s intentions....


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